I like the Aleph series of the Greatest stories in regional language and so far have only gifted others these books but never bought one for myself. So recently when we were at the Ahmedabad airport I picked this book up. Muhammad Umar Memon is Professor Emeritus of Urdu Literature and Islamic Studies at the University of Wisconsin-Madison and has edited many such collections.
The list of 25 Urdu authors starts from Premchand, Manto, Rajinder Singh Bedi, Ismat Chughtai, Qurratulain Hyder among others. Some of the stories that stayed with me are 'Obscure Domains of Fear and Desire' where the protagonist finds fear and desire in different houses in his job of being a house- assessor. His relationship with his aunt, his own demons, this is almost Murakami like. 'The Shepherd' by Ashfaq Ahmad is about the erudite Dauji and his young ward who narrates the story and how Dauji learned algebra, Urdu, astrology, sciences etc despite being a shepherd and how after partition, he is relegated to being a shepherd again by the new lasters. Munshi Premchand's 'The Shroud' is well known - how the father-son duo drink up even the money they get for the shroud of the pregnant daughter-in-law who dies in labour. 'Toba Tek Singh' is Manto's classic about the man (crazy, he is part of the lunatics who are being transferred between nations) who is searching for the mythical village in between the two partitioned countries. This one should be part of any international collection. Rajinder Singh Bedi's 'Laajwanti's brings an idea I never knew - that people had campaigns to rehabilitate abducted wives who were returned from both sides and the protagonist somehow gets back his wife, only to treat her with such reverence and distance that she prefers the earlier abusive avatar of his.
'The Saga of Jaanki Raman Pandey' by Zakia Mushwadi is about a devout Hindu man who falls in love with a Muslim woman whom he decides to take as his second wife and dies when he is in her house bringing about issues of which religion's rites must be followed. Very sensitively written. Ishmat Chughtai's 'Of Fists and Rubs' is a story of two women who are in Bombay, away from their families to earn some money and hoping to get back, engaging in some prostitution on the side to supplement their income and how they abort unwanted pregnancies through a system of Fists and Rubs. Jamila Hashim's 'Banished' draws parallels between Sita and the narrator who had been abducted during partition - only she has no hope of being rescued. Qurratulain Hyder's 'Beyond the Fog' is very different as it is not set during partition and is the story of a young girl born to an Englishman and a local, who somehow gets married into royalty, and decides in favour of staying royal than loyal. Lovely story.
I loved Altaf Fatima's Do You Suppose its the East Wind' which is a nostalgic recollection of the narrator's childhood friend and rakhi brother. 'Mai Dada' by Asad Mohammad Khan is an unusual story of a fierce Pathan who grows up in a Pathan family and who is finally found out to be a Hindu teli when he is dying. Ikramulla's 'The Old Mansion' has these three delightful characters Bade, Manjhle and Chotu who live in an old mansion which is all they can afford and are driven out of it by the municipality. Their fearful, worrying, fatalistic characters are endearing. Siddiq Aalam's 'Two Old Kippers' is about two retired gentlemen who meet in a park and flip a coin to find out who will live longer - a coin they use to motivate one another much after that occassion, to live on. Lovely ending. Sajid Rashid's 'Fable of a Severed Head' is about a head that is found after a bomb blast which no one claims - but for a poor widow who may benefit from the ex-gratia. 'The Pose' by Anwer Khan is about a young girl who substitutes herself as a mannequin in a shop unknown to anyone and what she goes through in that period. Salam Bin Razzaq's 'The Sheet' is set in the Bombay riots period - a Muslim man goes from Pune to Bombay on work and gets stuck and sees a man being burnt alive. No one helps him when he is burning but many sheets are thrown to cover his body, their guilt. In 'Ali Imam Naqvi's 'The Vultures of the Parsi Cemetery' the workers at the cemetery are worried that the vultures have disappeared just when they have bodies to feed the vultures - and they find out that the vultures are feeding on freshly killed corpses in the city thanks to the riots.
And so on and on. Stories that never leave you. Of course they would have been so much more different in Urdu but I am glad I could at least read the translations.